a5c7b9f00b Three go-go dancers holding a young girl hostage come across a crippled old man living with his two sons in the desert. After learning he's hiding a sum of cash around, the women start scheming on him.
Three strippers seeking thrills encounter a young couple in the desert. After dispatching the boyfriend, they take the girl hostage and begin scheming on a crippled old man living with his two sons in the desert, reputedly hiding a tidy sum of cash. They become houseguests of the old man and try and seduce the sons in an attempt to locate the money, not realizing that the old man has a few sinister intentions of his own.
The cult of Russ Meyer had its heyday back in the late 70's and 80's when his work was embraced by peopledifferentJohn Waters and Roger Ebert, who championed his sex and violence epicsworks of art with far greater depth and meaning than their sleazy appearance. It seemed that Meyer's trash wasprofoundthe serious work of Hollywood's best.<br/><br/>But that was a long time ago and the culture has come a long way since then. As a kid, I remember VIXEN and HARRY, CHERRY, and RAQUEL playing at local theaters, but alas, I was far too young to see them. AndI have gotten older, I have learned that nothing ages faster than what was pushing the envelope yesterday.<br/><br/>Only recently did I have an opportunity to finally see FASTER, PUSSYCAT! KILL! KILL! and I can say that while it shows its age, there is much about the film that still holds its own. <br/><br/>What makes FASTER, PUSSYCAT! look like a senior citizen: the clothes for one thing; Billie's miniskirt, Tommy's plaid shorts and Linda's bikini all scream 1960's. But more to the point, it is Meyer's leering, dirty old man point of view that makes FASTER, PUSSYCAT feel not only dated, but absolutely ancient. The way he asks us to pant at the sight of these bad girls gone completely out of control reeks of an era when Hugh Hefner was the epitome of hip and daring. <br/><br/>What makes FASTER, PUSSYCAT! still have punch: it's depiction of a world devoid of morality and goodness, where almost all the characters are murderous and lecherous; where the only innocent person, Linda, is constantly beaten and victimized by the three go-go dancing amazons or the old man and his mentally damaged son. In this way, FASTER, PUSSYCAT! beats NATURAL BORN KILLERS to the punch by a good thirty years.<br/><br/>Meyer got terrific performances out of his actors and actresses that still hold up, especially six foot plus Tura SatanaVarla, the leader of the three bad ass women on a rampage in the desert. Varla, who karate chops Linda's boyfriend to death early in the film, is one of the cinema's all time great female villains, a character with no redeeming attributes beyond the obvious physical ones. She is matched all the way by Lori Williams's Billie, whether she's taking a shower outside under a water tank, getting drunk at lunch or throwing down with Haji's Rosie. And Stuart Lancaster perfectly captures the Old Man's pathetic situationwellhis vileness.<br/><br/>And Meyer had a keen eye for the action that wasuniquehis gander for the female form; just look at the scene where Varla tries to crush the muscle bound Vegetable with her car, there's nothing quite like in any other movie.<br/><br/>To answer my question, yes, FASTER, PUSSYCAT! KILL! KILL! holds up pretty well, kind of like an old Ford Mustang whose paint is chipped and fender's dented, but whose motor still purrs like a pussycat.
The female characters each represent the different aspects of the female sexuality: innocence, female dominance, intellect, desire for other females, anger at power men have over them, etc. Same with the men. The old man was crippled by trying to save a girl from a train; raging male desire, and get emasculated by that pursuit. He has his new body: son, do his sexual work for him. The women are after his money, a familiar scenario. The other son is male rationality and emotional strength that women really want; a daddy. The film is packed with symbols of human sexuality. New ones emerge with each viewing and interpretation, Very sexy. The story is brilliant and reminiscent of Greek tragedies and Shakespearean lessons.


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